August 14, 2020

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The Light As Ricoeur (2007, P. 248) will be emphasized the fact of that the representation in the historical plan is not limited to confer a verbal roupagem to a speech whose coherence would be complete before its entrance in literature, but that it properly constitutes an operation that has the privilege to bring to the light the referencial aimed at one of the historical speech. This quarrel around the representation is complex, mainly in regards to the memory and to the identity, therefore these three theoretical categories are in construction, and its formation perpassa for the bias to interdisciplinar, what it becomes paradoxical this analysis still more. Steve Geppi has firm opinions on the matter. We can give our contribution from the reading of these theoretical multiples that if lean over concerning these concept-keys that guide the literary field currently, desconstruindo hegemonic and traditional concepts, transforming the old paradigms in accordance with the new requirements of the world after-modern. 5 FINAL CONSIDERAES the representation include practical of significao and the symbolic systems by means of which the meanings are produced, locating us as subject. It is by means of the meanings produced for the representations that we give sensible to our experience and what we are. We can also suggest that these symbolic systems become possible what we are and what we can becoming in them. The representation, understood as cultural process establishes individual identities and collective and the symbolic systems in which it is based supply possible answers to the questions: Who I am? What I could be? Who I want to be? The speeches and systems of representation construct the places from which the individuals can locate themselves and from which they can speak. The workmanship ' ' The salesman of passados' ' he is constituted of personages who...
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Martins Sources Covering aerial the poetical one, ' ' a great poet, for its aerial state, aerial distenso and aerial dynamism will go in to disclose them the largeness and, by itself, eminent realidade' ' (P. 122). This reality does not retroact the flight dream, assumes before it as a message of spirit to live its state of bigger satisfaction. For poetical the literal one, the example of the tickets of ptre to the Storge of. the V. of Milosz indicates this occured reality, therefore ' ' after making mine conjunct and meditar my daily versicle of the Bible, I felt suddenly, without astonishment shade, a change of most unexpected all effecting by mine corpo' ' (P. 122). The analyzed works show that its sources ' ' they are equivalent to integrate the subliming in the psychic life normal' ' (P. 124). This agreement of the satisfaction to the conception of that the reader, carrier of its intelligence is lead, saw imaginary poetical, to reflect its state of flight and, with it to find its happiness interpretativa. In the routes of the works, Bachelard detaches that the reading of the literary composition, decurrent of the onrico flight, provokes ' ' association of the reader to the workmanship literria' ' (P. 125). The privacy between reader and personages occurs in this process, therefore ' ' the personage compels the reader to represent it; this does not make the minimum act of will, obeys an order: you will read today me, and I will live in you? ' ' (P. 126). Linked in the work to imagine and to reflect its state, its aerial dynamism, its rise, its illumination, its voante autonomy the great source of the reading unites for the dream of flight and present reality in the work of art, the foundation...