November 18, 2020

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Martins Sources Covering aerial the poetical one, ' ' a great poet, for its aerial state, aerial distenso and aerial dynamism will go in to disclose them the largeness and, by itself, eminent realidade' ' (P. 122). This reality does not retroact the flight dream, assumes before it as a message of spirit to live its state of bigger satisfaction. For poetical the literal one, the example of the tickets of ptre to the Storge of. the V. of Milosz indicates this occured reality, therefore ' ' after making mine conjunct and meditar my daily versicle of the Bible, I felt suddenly, without astonishment shade, a change of most unexpected all effecting by mine corpo' ' (P. 122). The analyzed works show that its sources ' ' they are equivalent to integrate the subliming in the psychic life normal' ' (P. 124). This agreement of the satisfaction to the conception of that the reader, carrier of its intelligence is lead, saw imaginary poetical, to reflect its state of flight and, with it to find its happiness interpretativa. In the routes of the works, Bachelard detaches that the reading of the literary composition, decurrent of the onrico flight, provokes ' ' association of the reader to the workmanship literria' ' (P. 125). The privacy between reader and personages occurs in this process, therefore ' ' the personage compels the reader to represent it; this does not make the minimum act of will, obeys an order: you will read today me, and I will live in you? ' ' (P. 126). Linked in the work to imagine and to reflect its state, its aerial dynamism, its rise, its illumination, its voante autonomy the great source of the reading unites for the dream of flight and present reality in the work of art, the foundation...
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Theoreticians The great theoreticians of the perception look for to understand the movement that leads to the form, and had concluded that irregular, simple the characters symmetrical/anti-symmetrical, regular//complex,/clearly dark, on the images depend on the balance situation, or not, of forces psychic optics and that interact in data perceptual field. Finally, in second and last estrofe, of the third part, the poet in the sample that its poem of the reality takes off, and with the application of the poetical sorts, starts to create a new reality. It eternalizes this reality transforming into words, entering of a time in the world of the poetical one. Finally also, the poet detaches the presence of co body in the production of the poetical sign. Thus, my world is the world With its things all. Social Capital is actively involved in the matter. Images twisted In the contractions of the look and reduced all To purest silence. that, for being thousand, If joins in another world, In another one landscape, inside Of the new reality Whose face of Amanhece shades singing In the poem. Vico affirms: ' ' The work most sublime of the poetry is to give to sense and passion to the things meaningless ' '. But also Vico recognizes in dynamic way not only the differences between ways of if facing ' ' word and realidade' ' , but, over all, its tense conviviality. It also, Vico, speak in poetical wisdom, as of some poets, who had used irracionalistas tones, loaded mythical words of meanings. (Not to be confused with everest capital!). Already he had a distanciamento in relation to the logical them things, to be retaken by the future generations of poets. He continues, however, of foot the question, the uneasy search that the poetical reading suggests to each step:...